A hint at the dimensional expansion of "HOLES, TRACES", it is the spontaneous combustion of pretention as informational stimuli: images, sounds, beats are only generated to split, loop, echo and fuse into an organization of their own, drawn by the intrinsic linearity of the process - as if to naturally flee chaos towards a reassuring order. As a result, all possible posturing dilutes into evidence: colors, designs, textures, shapes and frequencies strip naked but of their respective essence, showing enough transparency to complement one another and paint a unique prism of reality. But this reconstructed audiovisual narrative of paper, celluloid, photographic film, radio signals and audio feedback including elements from the production and the projection themselves also is multi-faceted, feeding off the imminence of its direct surroundings to nurture its own spatial and sensorial vacuum and thus inviting the viewer not to forget considering appreciating their unique perspective on the live experience before it eventually crystallizes into a biased product. Their direct placement amidst the live stroboscopic grind will dictate the engraving of their perception and of their perspective, therefore justifying a questioning of their fundamental awareness as seemingly different realities, universes and timelines insist on conglomerating around one evident, yet uncertain focal point and will coexist in unison to compete for the validity of one's personal attention, sensitivity and exposure.

Aymeric Nocus

KAMERA CAHIERS
https://kamera-series.com/index.php/kamera-n7/

A special edition issue curated, designed and published by AVARIE, Paris and Labor Neunzehn, Berlin. It accompanies KAMERA SERIES, while it is an independent and valuable object to collect.

The main idea that underlies and guides booklet’s montage is a relation between the concepts of addition and subtraction, by making visible a missing image in the screening or an unreleased second of an artist’s film, expanded to 24 pages, and by containing a piece directly removed from the show.
The editing makes film frames dialogue with perfomed writings coming from texts, scripts, storyboards, notes.
The KAMERA exhibition is therefore extended into a space – the book – capable of physically making it widespread and scattered, in complement and counterpoint to its possible online occurrence.

KAMERA SERIES is a new screening program of avant-garde films, video art works and printed matter taking place in a former GDR building in Berlin and starting from autumn 2021.
Each event features a retrospective of selected films by an artist and a small exhibition of his/her publications or works on paper over 4 days. 

KAMERA focuses on a critical dialogue between different film formats and artists’ books. By being regular, it aims at creating a space for community exchanges about contemporary image making.
KAMERA is a series conceived and curated by Labor Neunzehn and AVARIE.

www.laborneunzehn.org
www.kamera-series.com 
https://avariepublishing.cargo.site/kamera-cahier-n-7